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Blues Jumpers
Royal Motel

The Prairie Cats
'Til the Daytime Fades

As many reviewers (myself included) have noted time and time again, most of the neo-swing groups that gained popularity during the "swing revival" and GAP advertisement era were really producing something closer to jump blues than swing-era sounds. Many of them were also producing music with a very short shelf life, dependent upon the trend itself for notoriety. So, where does that leave an actual jump blues band in the Year 2001? This is the challenge that The Blues Jumpers face. And, where does that leave a neo-swing band that has released a new album with well-worn sounds? This is the challenge that The Prairie Cats face.

 ATOMIC AUDIO

Hear Samples of
Royal Motel
and
'Til the Daytime Fades

Blues Jumpers
Jim Beam, Jack Daniels and Ol' Grand Dad
Jubilee
Livin' Like a King
Prairie Cats
Five Martinis
Ol' Nellie

Get Real!

Visit the bands online at
www.bluesjumpers.com

www.prairiecats.com


The Blues Jumpers' soulful approach to their jump style is sometimes hidden on the production of their latest release, Royal Motel (Blues Jumpers), yet I imagine that they are a potent and fun live act. They do not rely on overused songs or arrangements, and both Joe Delia's piano work and Haywood Gregory's vocals are genuinely infectious. So, although a cursory listen to Royal Motel doesn't impress complete originality upon the listener, there is depth here that reveals itself with repeated listenings.

The Prairie Cats have it a little harder. Their debut album, 'Til the Daytime Fades (Behave Records), probably would have been very well received in 1997. But with the traditional musical trappings of so many neo-swing acts, The Cats unfortunately sound dated. Oddly, they almost seem to acknowledge this with their song "Not in the Mood," which cries out to Glenn Miller, "I wonder what you'd think about the status of swing, a royal voodoo poppin', cherry daddy, Setzer kinda thing." That said, they are certainly competent at the sounds they are presenting, and I'm sure a fan of those name-checked neo-swing groups would appreciate the band's efforts on this release.

—Gary A. Miller



Year 1999 Reviews
Year 2000 Reviews
Year 2001 Reviews
Year 2002 Reviews
Year 2003 Reviews
Dave Berger and The Sultans of Swing—Doin' The Do!
Blue Lunch—Not Live at the Copa
Blues Jumpers—Royal Motel
Johnny Boyd—The Last Word In
Buddy Blue—Pretend It's Okay
BR549—This is BR549
Dennis Caiazza and Swing Factory—
Enhanced
Liz Callaway—The Beat Goes On
Matt Catingub's Big Kahuna and The Copa Cat Pack—Shake Those Hula Hips!
Cocktail Angst—Big Top Parade
Gerard Carelli—Lucky To Be Me
Rebecca Kyler Downs—
Love Me Like Candy
Gas Money—Hopeless Love Affair
The Good Fellas—Salute!
Charlie Gracie—I'm All Right
Wayne Hancock—A-Town Blues
Skip Heller—Jazz From Hell(er)
Jools Holland—The Swing Album
The Jaztronauts—Swank
Jump 4 Joy—Cutest Lil' Boogie
KGB Swing—Proletarian Swing
Laika And The Cosmonauts—
Laika Sex Machine
Linda & The Big King Jive Daddies—
Linda & The Big King Jive Daddies
Jimmy Luxury—My True Love Is...
Maci Miller—A Very Good Night
Swing Nouveau—Shakin' When Stirred
Alex Pangman—They Say...
The Prairie Cats—'Til the Daytime Fades
Lee Press-On & The Nails—Playing Dirty
Dexter Romweber—Chased By Martins
Frank Sinatra—Sinatra Love Songs
The Stingrays surf Band—
Don't Fear the Reverb
Stardust Records Presents—
Vocal and Jazz Ecstacy
Ron Sunshine & Full Swing—Candy
The Swing-O-Matics—
The Swing-O-Matics
The Swingtips—Roswell
Joe Turley—When The Jitterbug Bites
Mitch Woods—Jump For Joy
Yalloppin' Hounds—New Yalloppin' City
 

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Entering Germany 1944-1949
The House That Jack Built: My Life As a Trailblazer in Broadcasting and Entertainment
Leni Riefenstahl: Five Lives
Making The Wiseguys Weep:
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My Father's Daughter—Tina Sinatra
Tell It To The Future

 


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